The Autobiography of Benvenuto Cellini追书网更新最快，(请牢记追书网网址：https://www.zhuishu5.com)
XXXVII
AT that time Bologna, the painter, suggested to the King that it would be well if his Majesty sent him to Re, with letters of recmendation, to the end that he might cast the foremost masterpieces of antiquity, namely, the Laocoon, the Cleopatra, the Venus, the Cmodus, the Zingara, and the Apollo. These, of a truth, are by far the finest things in Re. He told the King that when his Majesty had once set eyes upon those marvellous works, he would then, and not till then, be able to criticise the arts of design, since everything which he had seen by us moderns was far removed fr the perfection of the ancients. The King accepted his proposal, and gave him the introductions he required. Accordingly that beast went off, and took his bad luck with him. Not having the force and courage to contend with his own hands against me, he adopted the truly Lbard device of depreciating my performances by becing a copyist of antiques. In its own proper place I shall relate how, though he had these statues excellently cast, he obtained a result quite contrary to his imagination.
I had now done for ever with that disreputable Caterina, and the unfortunate young man, her husband, had decamped fr Paris. Wanting then to finish off my Fontainebleau, which was already cast in bronze, as well as to execute the two Victories which were going to fill the angles above the lute of the door, I engaged a poor girl of the age of about fifteen. She was beautifully made and of a brute cplexion. Being sewhat savage in her ways and spare of speech, quick in movement, with a look of sullenness about her eyes, I nicknamed her Scorzone; her real name was Jeanne. With her for model, I gave perfect finish to the bronze Fontainebleau, and also to the two Victories.
Now this girl was a clean maid, and I got her with child. She gave birth to a daughter on the 7th of June, at thirteen hours of the day, in 1544, when I had exactly reached the age of forty-four. I named the infant Costanza; and Mr. Guido Guidi, the King's physician, and my most intimate friend, as I have previously related, held her at the font. He was the only godfather; for it is custary in France to have but one godfather and two godmothers. One of the latter was Madame Maddalena, wife to M. Luigi Alamanni, a gentleman of Florence and an accplished poet. The other was the wife of M. Ricciardo del Bene, our Florentine burgher, and a great merchant in Paris; she was herself a French lady of distinguished family. This was the first child I ever had, so far as I remember. I settled money enough upon the girl for dowry to satisfy an aunt of hers, under whose tutelage I placed her, and fr that time forwards I had nothing more to do with her.
XXXVII
AT that time Bologna, the painter, suggested to the King that it would be well if his Majesty sent him to Re, with letters of recmendation, to the end that he might cast the foremost masterpieces of antiquity, namely, the Laocoon, the Cleopatra, the Venus, the Cmodus, the Zingara, and the Apollo. These, of a truth, are by far the finest things in Re. He told the King that when his Majesty had once set eyes upon those marvellous works, he would then, and not till then, be able to criticise the arts of design, since everything which he had seen by us moderns was far removed fr the perfection of the ancients. The King accepted his proposal, and gave him the introductions he required. Accordingly that beast went off, and took his bad luck with him. Not having the force and courage to contend with his own hands against me, he adopted the truly Lbard device of depreciating my performances by becing a copyist of antiques. In its own proper place I shall relate how, though he had these statues excellently cast, he obtained a result quite contrary to his imagination.
I had now done for ever with that disreputable Caterina, and the unfortunate young man, her husband, had decamped fr Paris. Wanting then to finish off my Fontainebleau, which was already cast in bronze, as well as to execute the two Victories which were going to fill the angles above the lute of the door, I engaged a poor girl of the age of about fifteen. She was beautifully made and of a brute cplexion. Being sewhat savage in her ways and spare of speech, quick in movement, with a look of sullenness about her eyes, I nicknamed her Scorzone; her real name was Jeanne. With her for model, I gave perfect finish to the bronze Fontainebleau, and also to the two Victories.
Now this girl was a clean maid, and I got her with child. She gave birth to a daughter on the 7th of June, at thirteen hours of the day, in 1544, when I had exactly reached the age of forty-four. I named the infant Costanza; and Mr. Guido Guidi, the King's physician, and my most intimate friend, as I have previously related, held her at the font. He was the only godfather; for it is custary in France to have but one godfather and two godmothers. One of the latter was Madame Maddalena, wife to M. Luigi Alamanni, a gentleman of Florence and an accplished poet. The other was the wife of M. Ricciardo del Bene, our Florentine burgher, and a great merchant in Paris; she was herself a French lady of distinguished family. This was the first child I ever had, so far as I remember. I settled money enough upon the girl for dowry to satisfy an aunt of hers, under whose tutelage I placed her, and fr that time forwards I had nothing more to do with her.